Review Archive

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THE FALLOUT – “A delicate and profound exploration of grief”

MUNICH: THE EDGE OF WAR – “Remains wholly captivating despite our historic knowledge”

ZEROS AND ONES – “Confoundingly murky in the most frustrating of ways”

HOTEL TRANSYLVANIA: TRANSFORMANIA – “The overly gimmicked plot equals middling amusement”

THE TRAGEDY OF MACBETH – “A stripped-down Shakespeare classic that’s as gloomy as it is enchanting”

THE TENDER BAR – “2 shots of charming and 1 shot of ordinary”

THE LOST DAUGHTER – “As affecting as it is daringly unsettling”

LICORICE PIZZA – “A hilariously frenzied coming of age romp”

The Matrix Resurrections – “Effortlessly pulls you back into the brainy rabbit hole you remember”

SING 2 – “An animated sequel that hits all the right notes”

SPIDER-MAN: NO WAY HOME – “A web-infused ride of action, adventure, and crowd-pleasing surprises”

NIGHTMARE ALLEY – “A noir nail biter that’s a tad too old fashioned for its own good”

WEST SIDE STORY – “A richly lush harmonious experience”

DON’T LOOK UP – “Aces the absurd comedy but fumbles the dire drama”

WOLF – “Wildly stirring performances meet a depthless script”

THE POWER OF THE DOG – “Impressively detailed, impeccably acted, and intricately layered”

HOUSE OF GUCCI – “Sometimes odd, often campy, always captivating”

RESIDENT EVIL: WELCOME TO RACCOON CITY – “The lifeless script hampers a would-be creepy actioner”

ENCANTO – “An enchanting animated feast for the whole family”

GHOSTBUSTERS: AFTERLIFE – “A proton stream of crowd-pleasing nostalgia”

KING RICHARD – “A winning biographical sports drama through and through”

TICK, TICK… BOOM! – “An impassioned love letter to creative artists everywhere”

CLIFFORD THE BIG RED DOG – “Isn’t a complete doggone travesty”

RED NOTICE – “The epitome of big dumb fun”

HOME SWEET HOME ALONE – “They should have left it alone”

ETERNALS – “An eclectic and elegant superhero experience”

SPENCER – “A moody gothic drama with the surprise performance of the year”

FINCH – “Tom Hanks + a robot and a dog = sentimental entertainment”

LAST NIGHT IN SOHO – “Quite the stylishly hypnotic horror”

ARMY OF THIEVES – “An energetic caper with plenty of heart”

DUNE – “Visually stunning and narratively challenging in the best ways possible”

THE HARDER THEY FALL – “A sizzling Western actioner with flare to spare”

RON’S GONE WRONG – “The right mix of humour, heart and feelgood fun”

HALLOWEEN KILLS – “Brutal and graphic gore leads to slasher heaven”

THE LAST DUEL – “A cold and calculating medieval #MeToo drama”

MASS – “A conversational and confrontational masterclass in reconciliation”

NO TIME TO DIE – “Serves as a stellar send-off for Craig, Daniel Craig”

MUPPETS HAUNTED MANSION – “A short and sweet spooktacular good time”

VENOM: LET THERE BE CARNAGE – “They’ve doubled down on the silly madness”

THE MANY SAINTS OF NEWARK – “Does saintly service to Sopranos fans”

THE ADDAMS FAMILY 2 – “More of the same oddball shenanigans”

TITANE – “A transgressive orgy of madness”

THE GUILTY – “A stripped down, bare knuckle serving of suspense”

DEAR EVAN HANSEN – “A rather cringey spectacle”

THE EYES OF TAMMY FAYE – “Jessica Chastain’s heavenly Oscar bait”

COP SHOP – “Old school pulp with contemporary action”

AFTER WE FELL – “As laughable as it is lustful”

KATE – “A patchwork of concepts and styles from other, better movies”

THE CARD COUNTER – “A cerebral royal flush”

SHANG-CHI AND THE LEGEND OF THE TEN RINGS – “Pulsating with energy and excitement”

BOX OFFICE TOP 5

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8.5

Civil War
$25.7 million

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6.5

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7

Kung Fu Panda 4
$5.5 million

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9.5

Dune: Part 2
$4.3 million

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