Noah Baumbach’s Jay Kelly is a gentle, sentimental, and often funny tribute to filmmaking and the artists who shape it. It’s also, at times, undeniably self-indulgent. But, with George Clooney at the center, the portrait of a movie star later in life becomes especially warm and surprisingly affecting. And while some may shrug and say he’s simply “playing himself,” there’s more nuance in his performance than that suggests. You see, Clooney brings a thoughtful introspection - revealing far more in his silences, glances, and private moments of reflection than in any grand monologue. He’s surrounded by a terrific ensemble too - most notably Adam Sandler, who once again reminds us of his dramatic range. What may stand out most to long-time Baumbach fans, though, is just how gentle this film feels compared to the sharper edges of his earlier work. It’s as if he’s softened his grip on the material, sanding down what could have been more biting commentary and instead allowing the story a lighter, more wistful touch. The urgency and sting that define many of his films are dialed back here, replaced by a steady hum of nostalgia and affection. Still, Baumbach remains a master at capturing human moments - balancing levity with genuine emotion with his usual precision. The behind-the-scenes filmmaking details are also delightful, offering a charming peek behind the curtain. So, while Jay Kelly may not land with the full force it could have, it carries enough emotional weight, strong performances, and cinematic love to make it well worth the watch.