Review Archive

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DRIVE-AWAY DOLLS – “Delivers campy and quirky pulp in spades”

ORDINARY ANGELS – “A heavenly piece of heartwarming entertainment”

MADAME WEB – “Spins out a web of unintentional laughs”

LAND OF BAD – “A tried-and-true tactical military actioner”

LISA FRANKENSTEIN – “Takes franken-sized risks that (mostly) pay off in garishly fun ways”

FLOAT – “A shallow romance drama that does little more than tread water”

ARGYLLE – “Cheeky, dumb, and mildly fun”

ORION AND THE DARK – “An existential animated gem”

BADLAND HUNTERS – “Offers plenty of stylized action to keep the momentum at a fever pitch”

MILLER’S GIRL – “Disappointingly vapid and toothless”

I.S.S – “Delivers so-so outer space suspense”

ORIGIN – “An emotionally dense cinematic essay”

THE BEEKEEPER – “A worthy exercise in over-the-top vengeance”

MEAN GIRLS (2024) – “Is actually pretty fetch”

NIGHT SWIM – “Sadly, this ghoul in the pool flick is tepid at best”

ALL OF US STRANGERS – “A meditative journey in grief, acceptance, and ultimately, heartbreak”

THE IRON CLAW – “Takes hold with a powerfully tragic story and never lets go”

AQUAMAN AND THE LOST KINGDOM – “Is waterlogged with a disjointed story and more than a few shoddy visuals”

WONKA – “Plays it too safe, but remains a world of pure imagination”

CHICKEN RUN: DAWN OF THE NUGGET – “A gloriously crafted stop-motion treat that flies a little too close to retread territory”

LEAVE THE WORLD BEHIND – “A snowballing of tension leads to a wholly captivating experience”

MERRY LITTLE BATMAN – “A frenzied Bat-Mas romp for the whole family”

SILENT NIGHT – “An effective dialogue free yuletide shoot ‘em up”

MAY DECEMBER – “Extremely strong performances wrapped in a black comedy commentary on tabloid culture”

SALTBURN – “The decadent debauchery leads to shock and awe”

WISH – “Warm on whimsy, light on magic, but high on nostalgia”

THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES – “Twistedly delightful dystopian entertainment”

TROLLS BAND TOGETHER – “Another animated glitter bomb but with a healthy dose of boy band nostalgia”

THE MARVELS – “Far from marvelous, but kinetic fun regardless”

THE KILLER – “Cold, calculating, and devilishly detailed”

PRISCILLA – “Is a pastel soaked princess story of a different kind”

QUIZ LADY – “Has more than enough heart to overcome the uneven comedy”

FIVE NIGHTS AT FREDDY’S – “A quirky horror freak show that’s sure to divide audiences”

FREELANCE – “Thank God for John Cena”

KILLERS OF THE FLOWER MOON – “A colossally grim and sobering achievement by Scorsese and Co”

ANATOMY OF A FALL – “Precision procedural filmmaking at its most riveting”

TAYLOR SWIFT: THE ERAS TOUR – “An extravagant concert movie spectacle to beat all others”

DEAR DAVID – “Serviceable, but scarily low rent”

THE EXORCIST: BELIEVER – “Not a total head-spinner, but it’s effectively spine-tingling, nonetheless”

THE ROYAL HOTEL – “Simmering danger leads to tangible suspense and raw performances”

THE CREATOR – “Top tier sci-fi in nearly every way”

SAW X – “Come for the bloody torture, stay for the effective character study”

DUMB MONEY – “Super smart and effortlessly entertaining”

EXPEND4BLES – “Shoots blanks at nearly every turn”

A HAUNTING IN VENICE – “Tedious gothic chiller turned captivating paranoid thriller”

GOLDEN DELICIOUS – “An earnest enough coming-of-age/coming out drama”

THE NUN II – “Overwrought with inane frights but remains creepy ‘nun’-the-less”

MY BIG FAT GREEK WEDDING 3 – “A big fat hokey platter of comfort viewing”

THE EQUALIZER 3 – “Yet another round of bloody operatic catharsis”

SLOTHERHOUSE – “The best murderous sloth movie you’ll see all year”




Bob Marley: One Love
$27.7 million



Madame Web
$15.2 million



$4.7 million



$3.8 million



The Chosen
$3.4 million