Scott Derrickson’s Black Phone 2 is an expansive, badass horror sequel that never once loosens its chilling grip. In fact, it’s that rare follow-up that not only matches the original—it surpasses it. This isn’t a hollow rehash or a cash-in sequel; it deepens the mythology, expands the terror, and gives both new and returning characters rich, unsettling arcs to explore. Derrickson dials up the supernatural tension without losing the story’s emotional grounding, making for a ride that’s as haunting as it is human. Make no mistake—this one’s scary. And while the marketing hints at Nightmare on Elm Street vibes, there’s far more going on beneath the surface. Sure, there are deliberate nods to that franchise—especially in how “The Grabber” stalks, taunts, and torments his victims—but he remains a nightmare all his own. That mask? Still pure nightmare fuel. Visually, the film is a knockout. The retro early-’80s aesthetic is also lovingly realized. Meanwhile the snow-covered Christian camp setting gives the movie a claustrophobic, bone-deep coldness. Derrickson’s craftsmanship and eye for atmosphere are on full display here, with cinematography that makes the frostbite practically tangible. Performance-wise, The Black Phone 2 doesn’t miss a beat. Mason Thames brings a wounded strength to his role, while Madeleine McGraw shines in a more prominent, emotionally charged turn that anchors the film. And yes, Ethan Hawke once again disappears into pure, unholy menace. With its added themes of faith, loss, and the afterlife woven seamlessly into the terror, The Black Phone 2 makes for a truly great horror sequel. Trust me, this is a call horror fans won’t want to hang up on.