SNOW WHITE – “Nowhere near the fairest live-action remake of them all”

snow white

RATING

DIRECTOR

Directed by: Marc Webb

MAIN CAST

Rachel Zegler as Snow White
Gal Gadot as the Evil Queen
Andrew Burnap as Jonathan
Ansu Kabia as the Huntsman
Hadley Fraser and Lorena Andrea
Patrick Page as the voice / motion capture of the Magic Mirror

SYNOPSIS

It is a live-action reimagining of Walt Disney Productions' 1937 animated film Snow White and the Seven Dwarfs.

A princess joins forces with seven dwarfs to liberate her kingdom from her cruel stepmother the Evil Queen.

REVIEW SUMMARY

Marc Webb’s Snow White is nowhere near the fairest live-action remake of them all, but Rachel Zegler's charm keeps it somewhat enchanting. Yep, ironically, the film’s most controversial casting choice turns out to be its biggest strength. To be fair, most of the visuals here fit the fairy-tale aesthetic—well, almost (we’ll get to that). There truly is a lovely “straight from the pages” storybook feel, with soft pastel hues and several stunning costumes - particularly the Evil Queen’s. However, one major misstep comes in the form of the seven dwarves—or, more accurately, the seven CGI companions. While the choice to animate them via motion capture is understandable, their execution is anything but seamless. The designs are not only garish, but their presence feels jarring against the live-action cast - making every scene with them feel artificial and overly disconnected. Sadly, the romance, too, fails to spark. It’s rushed, overly “glossy,” and devoid of emotional depth. On the villainous side however, Gal Gadot seems to relish playing the Evil Queen, but her singing leaves much to be desired—yet she’s given two songs?? Speaking of music (it is a musical, after all), the classic songs are mostly handled well, with Zegler again delivering beautifully. The new song additions, however, fail to make a lasting impression—though “Princess Problems” is admittedly catchy. Ultimately, Snow White lacks the magic to recapture the timeless charm of the 1937 animated classic. It’s bursting with “theatre kid” energy and visual spectacle, but clunky execution drags it down. In the end, this remake feels a lot like a poisoned apple—tempting on the outside, but tragically abysmal.

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